DIRTY CHURCHES

PERFORMANCE  • VIDEO • INSTALLATION

Upcoming Show 10/18/14

Northside Town Hall Arts Happening Series Presents Bacchus’ Skeleton
A Site Specific Multi-Media Installation by Dirty Churches

Jesse Gelaznik • Rachel Blackwell • Daniel Garcia
score by Wanting Hour and live soundtrack by PWR&$$$

Video still from Bacchus's Skeleton

Video still from Bacchus's Skeleton

Northside Town Hall Arts Happening Series Presents Bacchus’s Skeleton A Site Specific Multi-Media Installation

WILLIAMSBURG, BROOKLYN – On Saturday, Oct 18, 2014 at 6, 7, and 8pm the Northside Town Hall Community and Cultural Center’s annual Arts Happening Series presents Bacchus’ Skeleton by Dirty Churches at the former Engine Co. 212 Firehouse at 134 Wythe Ave in Williamsburg, Brooklyn.

Bacchus’ Skeleton explores the theme of a lone wanderer trying to find his way home. The narrative of the installation was inspired loosely by Bacchus’s walk on the beach searching for a ship to take him home, as featured in Ovid’s Metamorphosis and also by the recent theory of Caravaggio’s death on the beach as featured in Andrew Graham Dixon’s A Life Sacred and Profane.

Bacchus’s Skeleton is a site specific, multi-media installation by Dirty Churches’ Jesse Gelaznik, Rachel Blackwell, and Daniel Garcia; score by Wanting Hour (Eric Elterman viola, Liz Pulos viola, Erin Hewgley cello); music composed by Jesse Gelaznik and engineered by Eric Elterman. PWR&$$$ (Daniel Garcia and Jesse Gelaznik) will provide live musical accompaniment.

The Arts Happening Series is an annual program hosted at the former Engine Co. 212 Firehouse and future home of the Northside Town Hall Community and Cultural Center, Inc. Since 2009, the Arts Happening Series has highlighted the works of local Brooklyn artists activating the shuttered space and showcasing the Center’s potential.

These performances are free to the public at 134 Wythe Ave. between N. 8th & N. 9th Streets in Williamsburg, Brooklyn. The evening will consist of three 20 minute performances at 6, 7, and 8pm.

Dedicated in loving memory to original Dirty Churches member Joe Robinson 

Why You Got to Be so Evil?

at Kunstallle Galapagos

9/13/14 - 10/18/14

SHE is near  installation and performance by Dirty Churches with a live score by the Wanting Hour string trio

SHE is near installation still

SHE is near installation still

performance still of Rachel Blackwell from SHE is near                         photo by Miguel Drake McLaughlin 

performance still of Rachel Blackwell from SHE is near                         photo by Miguel Drake McLaughlin 

SHE is near installation sketch by Jesse Gelaznik

SHE is near installation sketch by Jesse Gelaznik

SHE is near performance sketch by Jesse Gelaznik

SHE is near performance sketch by Jesse Gelaznik

Bio:  Rachel Blackwell and Jesse Gelaznik are Dirty Churches. They combine experimental sound and music with sculptural installations and ritual-based performance in what they describe as a manifestation of the collective subconscious. The couple alternatively starts from the music or the concept to develop immersive themed visions. The collaboration exists as a video, an installation and a performance. The Dirty Churches performance titled A Guest in the Cavern premiered at the Northside Town Hall Community and Cultural Center, Inc.’s 2013 Arts Happening series in Brooklyn. The site specific performance titled An Orchard of Echoes was performed at Soho20 Gallery as part of their annual Savior-Faire performance series, and the video component from A Guest in the Cavern was featured. The video Hearts Are Dust, on display here at Kunstalle Galapagos is from a performance at Spectrum earlier this summer. Dirty Churches was started by Jesse as a noise collective with an ever-changing group of musicians. Rachel provided an emotional landscape via the visuals. It has since morphed into a two-headed video art monster.  Among a world so desperate for control, Dirty Churches defy the notion that we must rely on a constant reality to exist.

Check out Wanting Hour on bandcamp 

Wanting Hour cover art by Pierre Le Hors

Wanting Hour cover art by Pierre Le Hors

Hearts are Dust : a eulogy for Sarah Winchester

DIRTY CHURCHES video art

Hearts are Dust A eulogy for Sarah Winchester Video collage by Dirty Churches (Jesse Gelaznik & Rachel Blackwell) Cut up Narration originally by Lillian Gish from the film "Mrs.Winchester's House" 1963 Documentary About this video: This video collage is inspired by the folklore based mythology of the Winchester house in el Paso California. It does not represent the Winchester house literally but focuses on the occult imagery and ideas that are involved in the architecture and construction of such a bewildering structure. Along with the paranormal catalyst for the construction of a home for victims of the Winchester rifle. The focus of the video is to create a hypnotic soundtrack that weaves itself into the cut up narration by Lillian Gish, this creates an abstract and hypnotic story telling environment. The footage is a mixture of video footage that Rachel and I shot at our home in Brooklyn with an iPhone and gathered images of blue prints and stills from the internet. This video was originally used as a background projections for our Dirty Churches art performance at The Spectrum in Bushwick Brooklyn on Aug 1st 2014. For more information about Dirty Churches check out http://jessegelaznik.com/sound-dirty-churches/

DIRTY CHURCHES exhibitions:

2013 An Orchard of Echoes video installation and performance

Jesse Gelaznik and Rachel Blackwell of Dirty Churches photo by Debbie Rasiel

Jesse Gelaznik and Rachel Blackwell of Dirty Churches photo by Debbie Rasiel

SOHO20 Chelsea Gallery : Savoir- Faire performance series presents : Dirty Churches an Orchard of  Echoes Performance by Jesse Gelaznik and Rachel Blackwell

This collaborative multi-media performance explores dramatic rituals performed against hypnotic video projections in an altered environment with a live score.  The suggestion of being in an apple orchard during a storm is created by presenting objects from the orchard on pedestals, first person video projections of exploring the orchard, and audio samples such as footsteps, rain and thunder. This in effect creates the setting for the performance of the harvest ritual. The costume for this ritual portrays a masked old woman in farming clothes caring bar chimes. Her hair is bound up in cornhusks and her mask is painted with the alchemical symbols of nature, fire, earth, water and air. The harvest ritual is performed in three parts, introducing the orchard, the storm, and the smearing of the mask with colored pigment as a conclusion. These three parts all have individual musical scores performed live, which establish a sonic environment that completes the illusion of the orchard. The insinuated theme of this piece is the performers relationship to their surroundings as they encounter a storm of percussion and prepare a harvest of dark emotional thoughts. The performance of this ritual takes 20 minutes.

Rachel Blackwell and Jesse Gelaznik of the Dirty Churches combine experimental sound and music making with sculptural installations and ritual-based performance in what they describe as a manifestation of the collective conscious. An Orchard of Echoes will bring together aspects of story-telling and mythology to fabricate and ancient and untold experience.  The group’s fluctuating body of members is an ever-changing factor, which can accommodate any number of aesthetics, ideas and directions.  Among a world so desperate for control, Dirty Churches defy the notion the we must rely on a constant reality to exist.

2013 A Guest in the Cavern pyramid and video installation with performance

DIRTY CHURCHES A Guest in the Cavern 'Exhausted by the Magick'  Video by Rachel Blackwell, composed by Jesse Gelaznik text by Natalee Cayton 

The Northside Town Hall Community and Cultural Center, Inc.’s 2013 Arts Happening Series Presents: A Guest in the Cavern is a multi-media installation featuring Jesse Gelaznik, Rachel Blackwell, Natalee Cayton & Dirty Churches

Dirty Churches new album  A Guest in the Cavern is now available on Magnanimous Records. Get it on iTunes here  BUY ALBUM

Dirty Churches new album  A Guest in the Cavern is now available on Magnanimous Records. Get it on iTunes here  BUY ALBUM

The cavern provides a typical analogy of the projecting individual. It provides the repetition of light and shadow as a backdrop to the woman in the pyramid. Inside the pyramid she reflects up from the terrestrial world to the celestial and cosmic world. The infinite becomes newly created/birthed/banged. The woman, the light, the constellation and the point. The woman's thoughts are reflected below the water's surface, glowing down to this world. Her exploration of the loneliness and the isolation fill the cavern with echoes of the yin/yang universe, the infinite, the contained, the container. Her pyramid is distribution of mental and emotional weight. Her dress becomes a river of light that emanates out from her core past the walls of the pyramid. Once combined the elements of the video art projections, pyramid installation, performer and dress with a live soundtrack, the space will be completely transformed into a fantastical landscape of thought, sound and vision.

This event is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC).

Dirty Churches performing A Guest in the Cavern

Dirty Churches performing A Guest in the Cavern

Dirty Churches performers: Jesse Gelaznik (concept, composer, pyramid structure) • Rachel Blackwell (costume, pyramid performance, video) •  Justin Miller (samples) • Robert Boston (synthesizer, samples) • Alfra Martini (vocals) • Liz Pulos (viola) • Eric Elterman (viola) • Anna Callner (cello) • Donnie Undeen (bass clarinet) • Daniel Garcia (percussion)

Images and Text 

DIRTY CHURCHES alive in Texas music video by Rachel Blackwell

2011 While I was in a sleeping state... Multi-media performance with Robert Boston

WHILE I WAS IN A SLEEPING STATE... Performed at Theater Lab 4/22/11 A Place in the Shadows Composed by Jesse Gelaznik Performed by Dirty Churches Dance by Iris Florentiny & Laureen Elizabeth Dirty Churches is Joe Robinson Daniel Garcia Alex Beard Robert Boston Jesse Gelaznik Elizabeth Pulos
WHILE I WAS IN A SLEEPING STATE... Performed at Theater Lab 4/22/11 Blue Dream Composed by Jesse Gelaznik Performed by Dirty Churches Dance by Iris Florentiny & Laureen Elizabeth Dirty Churches is Joe Robinson Daniel Garcia Alex Beard Robert Boston Jesse Gelaznik Elizabeth Pulos
WHILE I WAS IN A SLEEPING STATE... Performed at Theater Lab 4/22/11 Blue Dream Composed by Jesse Gelaznik Performed by Dirty Churches Dance by Iris Florentiny & Laureen Elizabeth Dirty Churches is Joe Robinson Daniel Garcia Alex Beard Robert Boston Jesse Gelaznik Elizabeth Pulos

DIRTY CHURCHES Video and Sound Archive:

DIRTY CHURCHES has been performing dark and hypnotizing live soundtracks for multi media art installations since 2003. Jesse Gelaznik formed Dirty Churches with Joe Robinson, Alex Beard and John Delassi. The early Dirty Churches performances consisted of improv noise sets with projections. In 2005 Dirty Churches began performing live sound tracks to Rachel Blackwell’s video art projections. And in 2006 Jesse began writing conceptual scores for Dirty Churches performances and recordings, which included the track Eat Birth, which was recorded for a noise comp titled Getting rid of the Glue on Pendu Sound. In 2009, Dirty Churches performed a live score for Rachel Blackwell’s video pieces Yes! Witches, Rituals and Meditations on Death during the NY Eye and Ear Fest II at the 92Y in Tribeca. Since then Dirty Churches has morphed into various projects working with a variety of musicians.  Here's some material from Jesse's personal archive of early Dirty Churches recordings and live performances. 

Pendu Sound Recordings

Pendu Sound Recordings

NY EYE & EAR FEST AT THE 92Y TRIBECA

NY EYE AND EAR FEST 92Y TRIBECA

F A CE M E L T
Dirty Churches Live at Piano's.